Amsterdam · One room, three jobs
A sealed room in Amsterdam you can light, rig and lock, with one wall that shows anywhere. Shoot it, stream from it, or rehearse your tour in front of it.
30 minutes, no commitment. See your brand on the wall.
§1 · The room
Most black boxes give you nothing, and that is the whole point of them. Seal it, light it, rig it, and build whatever the job needs. This one gives you one thing more: a wall that shows anywhere you need to be.
§2 · Three modes
The room does not change. What you come here to make does.
No audience. That's the point.
Comms teams · Brands · Agencies
Town halls, product launches, investor days, panels, and podcasts that need to look like something.
The wall is the set. Change the world between segments instead of between days: no scenic build, no truck, no repaint.
Because there are no seats, there are no sightlines to protect. Every decision in the room serves the camera.
§3 · The wall
You shoot on a real stage in front of a wall of LED showing a living, moving world. The camera sees it in true perspective, so what's on your monitor is the final image.
How a shoot runs
01
Send a mood board, a script, or just a feeling. Fifteen minutes on a call is enough to scope it.
02
Pick a ready-made environment or we build yours. You approve the world on the wall before shoot day.
03
Walk in at nine. Change countries between takes. Wrap with the backgrounds already in the can. No post round-trip.
What people put on it
01
A month of content in one day. Ten backdrops before lunch, zero company moves.
02
Locations that would blow the budget, in camera on day one.
03
Worlds that don't exist yet, rendered live behind the artist.
04
One product, every setting. Consistent light, infinite context.
05
A backdrop that says something, not a grey office wall.
06
A set that changes between segments, built for the camera, not a crowd.
Three levels
The wall runs at three levels. Nobody starts at the deep end, and nobody has to stay in the shallow one.
Start here
Your first step into the space.
Filmed and photographed backdrops on the wall: golden hour, city night, clean infinity. No tracking, no game engine, no learning curve: our operator drives, you shoot. Built for social teams, interviews and first-timers. Half or full day.
Rates on request
Depth without the deep end.
Layered plates with real parallax: the background shifts naturally with your camera moves. The sweet spot for commercials and music videos that need to feel big without a full 3D build.
Rates on request
The deep end, when you're ready.
A live Unreal world locked to your lens: camera tracking, virtual scouting, calibrated color. Film, episodic, the impossible shots.
Rates on request
For the technical crowd
15 × 5 m, curved
2.9 mm
Mo-Sys StarTracker
Unreal Engine 5 / nDisplay
4× RTX-class
ACES pipeline, calibrated
§4 · Shot on the wall
Final pixels in camera. No green spill, no comp round-trips.
Three locations before lunch. Same crew, same floor.
A set that changes between segments. Built for the camera, not a crowd.
§5 · Book the studio
Let's build cool shit together
